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Official logo. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras.
First mainstream feature to be partially shot with digital IMAX 3D cameras with 95 minutes of IMAX 3D footage. Aspect ratio alternates between 2.39:1, 2.00:1, and 1.90:1. The longest IMAX 3D movie ever filmed. [243] [244] Hercules: 25 July 2014 ** In 3D (conversion). Limited engagement. [245] Lucy: 25 July 2014 ** Selected sequences filmed with ...
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train; Despicable Me 2; Despicable Me 4; Detective Chinatown 3; Detective Chinatown 1900; Detective Pikachu (film) Devotion (2022 film) Digimon Adventure tri. Divergent (film) The Divergent Series; The Divergent Series: Allegiant; The Divergent Series: Insurgent; Doctor Strange (2016 film)
Camera system Aspect ratio Runtime min Notes Aliens of the Deep: January 28, 2005 United States: Reality Camera System: 1.78:1 47 Was printed on 35 mm for Reality Camera System presentations, and on 70 mm as an IMAX blow-up for dual strip presentations. Wild Safari 3D: April 8, 2005 Belgium: Dual 35 mm: 1.43:1 40 Released in a dual 70 mm blow-up.
Next year, 13 Hollywood movies slated for release will be shot on Imax digital cameras or film, beating a previous record logged in 2021 when seven so-called filmed for Imax movies came out.
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
IMAX Cargo Bay 3-D Camera: 2010 The Devil's Rock: Paul Campion: Red One M: 2010 Fair Game: Doug Liman: Red One M: 2010 Resident Evil: Afterlife: Glen MacPherson Fusion Camera System: 2010 The Social Network: Jeff Cronenweth: Red One MX: Zeiss Master Prime: First film to feature a 2K pipeline, from production to presentation. 2010 127 Hours ...