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Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir. The portrayal of women in film noir , and more specifically the term “femme fatale”, has been a topic of intrigue and fascination for decades.
Cherchez la femme (French: [ʃɛʁʃe la fam]) is a French phrase which literally means 'look for the woman'. It is a cliche in detective fiction , used to suggest that a mystery can be resolved by identifying a femme fatale or female love interest.
The translation of this cross-cultural filmic influence was readily accepted by Italian audiences. However, Italian Neorealists personalised this trope and tailored it to the needs of their own socio-cultural context by creating their characters on the spectrum of representation i.e. from the natural woman to the femme fatale.
[22] Zelle has often been portrayed as a femme fatale, the dangerous, seductive woman who uses her sexuality to manipulate men effortlessly, but others view her differently: in the words of the American historians Norman Polmer and Thomas Allen she was "naïve and easily duped", a victim of men rather than a victimizer. [25]
"La Morte amoureuse" (in English: "The Dead Woman in Love") is a short story written by Théophile Gautier and published in La Chronique de Paris in 1836. It tells the story of a priest named Romuald who falls in love with Clarimonde, a beautiful woman who turns out to be a vampire. In English translations the story has been titled "Clarimonde ...
Daji (Chinese: 妲己; pinyin: Dájǐ; Wade–Giles: Ta 2-chi 3) was the favourite consort of King Zhou of Shang, the last king of the Shang dynasty in ancient China.In legends and fictions, she is portrayed as a malevolent fox spirit who kills and impersonates the real Daji. [2]
The vamp (femme fatale) is often a foil for the ingénue (or the damsel in distress). The ingénue is often accompanied by a romantic side plot. This romance is usually considered pure and harmless to both participants. In many cases, the male participant is as innocent as the ingénue. The ingénue is also similar to the girl-next-door stereotype.