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The first movement, [c] in C ♯ minor and alla breve, is written in modified sonata-allegro form. [22] Donald Francis Tovey warned players of this movement to avoid "taking [it] on a quaver standard like a slow 12 8 ". [19] The movement opens with an octave in the left hand and a triplet figuration in the right.
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The first sonata remains far less performed than the second and the two sonatas are not commonly performed together. They are named so for their only loose adherence to the sonata form. The first movement of both sonatas are slow and lacking in full sonata form. The second movements are scherzos. The sonatas differ in structure in the third ...
File:Beethoven Moonlight 1st movement.ogg: 6:00 First Movement created in MIDI and played on a digital piano. Not Featured File:Beethoven Moonlight 2nd movement.ogg: 2:05 Second Movement created in MIDI and played on a digital piano. Featured File:Beethoven Moonlight 3rd movement.ogg: 6:55 Third Movement (Presto agitato) created in MIDI and ...
The second theme of the first movement closely resembles part of the first, so that in the recapitulation the first theme can be omitted entirely without its absence being noticed. One of the main characteristics of Beethoven's thought is evident in this sonata : the development of a multitude of contrasting motifs and characters from a basic cell.
Although various composers in the 17th century had written keyboard pieces which they entitled "Sonata", it was only in the classical era, when the piano displaced the earlier harpsichord and sonata form rose to prominence as a principle of musical composition, that the term "piano sonata" acquired a definite meaning and a characteristic form.