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Pygmalion was the subject of Gaetano Donizetti's first opera, Il Pigmalione. Fromental Halévy wrote an opera Pygmalion in the 1820s, but it was not performed. Franz von Suppé composed an operetta Die schöne Galathée, which is based on the characters of Pygmalion and Galatea.
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
Pygmalion and Galatea, an Original Mythological Comedy is a blank verse play by W. S. Gilbert in three acts based on the Pygmalion story. It opened at the Haymarket Theatre in London on 9 December 1871 and ran for a very successful 184 performances. [1]
Pygmalion and Galatea, 1871 play by W. S. Gilbert; Galatea 2.2, 1995 pseudo-autobiographical novel by American writer Richard Powers; Galatea is the name of the main flagship in the 1998 PC game Descent: FreeSpace – The Great War; Galatea is the name of the gynoid in the 1999 film Bicentennial Man. Galatea, a 2000 interactive fiction video game
In Greek mythology, Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] was the name of the following figures: Galatea, a Nereid who loved the shepherd Acis, and was loved by the cyclops Polyphemus. [2] Galatea, the statue of a woman created by Pygmalion and brought to life by Aphrodite. [3]
Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village. Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment).
Il Pigmalione (Pygmalion) is a scena lirica (lyric scene or opera) in one act by Gaetano Donizetti.The librettist is unknown, but it is known that the libretto was based on one by Antonio Simeone Sografi for Giovanni Battista Cimador [] 's Pimmalione (1790), in turn based on Jean-Jacques Rousseau's Pygmalion [1] and ultimately based on Book X of Ovid's Metamorphoses. [2]
Pimmalione (Pygmalion) is an opera in one act by Luigi Cherubini, first performed at the Théâtre des Tuileries, Paris, on 30 November 1809.The libretto is an adaptation by Stefano Vestris [1] of Antonio Simone Sografi's Italian translation of the text Jean-Jacques Rousseau wrote for his scène lyrique Pygmalion (1770).