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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Fede Galizia, better known as Galizia, (c. 1578 – c. 1630) was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art.
Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).. The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [1] of his study of the artist).
After 1550 the Flemish and Dutch painters begin to show more interest in nature and beauty "in itself", leading to a style that incorporates Renaissance elements, but remains far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still lifes ...
The very early still-life of a Still-Life with Partridge and Gauntlets (Alte Pinakothek, Munich) is often called the first small scale trompe-l'œil painting since antiquity; it may well have been the cover or reverse of a portrait (however, a fragmentary panel by another Venetian, Vittorio Carpaccio, has a trompe-l'œil letter-rack of about ...
Many Northern artists travelled to Italy to study, where they were influenced by the innovations of the Italian Renaissance and in turn influenced the Italian Renaissance painters with techniques such as the newly developed technique of oil painting. [8] Aertsen is regarded as one of the founders of the still life painting.