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The Wall of Sound (also called the Spector Sound) [1] [2] is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew".
Pages in category "Song recordings with Wall of Sound arrangements" The following 156 pages are in this category, out of 156 total. This list may not reflect recent changes .
The song would become one of the foremost examples of Spector's "Wall of Sound" technique. It features the studio musicians the Wrecking Crew; playing on this recording were Don Randi on piano, Tommy Tedesco on guitar, Carol Kaye and Ray Pohlman on bass, and Steve Douglas on sax. [22]
Johnny Franz's mid-1960s productions for Dusty Springfield and the Walker Brothers also employed a layered, symphonic "Wall of Sound" arrangement-and-recording style, heavily influenced by the Spector sound. [107] Another example is the Forum, a studio project of Les Baxter, which produced a minor hit in 1967 with "The River Is Wide".
The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...
Discussing Spector's Wall of Sound technique, Wilson identified the tack piano and organ mix in "I Know There's an Answer" as one example of himself applying the method. [194] Compared to Spector, Brian produced tracks that were of greater technical complexity by using state-of-the-art four-track and eight-track recorders.