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The horse motif was the first image to be engraved. Later, vertical lines are overlain across the body and in front of the horse. The overall effect creates an impression of a palisade, fence or even falling spears. If this is the case, we might be seeing a scene in which horses are guided by a wooden structure—maybe for hunting purposes.
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The bit is located on the horse's head by the headstall, and which has itself several components to allow the most comfortable adjustment of bit location and control. The bit, bridle and reins function together to give control of the horse's head to the rider. The bit applies pressure to the horse's mouth, and reinforces the other control ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Points of a horse. Equine anatomy encompasses the gross and microscopic anatomy of horses, ponies and other equids, including donkeys, mules and zebras.While all anatomical features of equids are described in the same terms as for other animals by the International Committee on Veterinary Gross Anatomical Nomenclature in the book Nomina Anatomica Veterinaria, there are many horse-specific ...
It forms the "forearm" of the horse along with the ulna. Ulna: caudal to the radius, it is fused to that bone in an adult horse. Shoulder joint (scapulohumeral joint): usually has an angle of 120-130 degrees when the horse is standing, which can extended to 145 degrees, and flexed to 80 degrees (such as when the horse is jumping an obstacle).
A swan neck makes it easy for a horse to lean on the bit and curl behind without lifting its back. It is often caused by incorrect work or false collection. A knife neck is a long, skinny neck with poor muscular development on both the top and bottom. It has the appearance of a straight crest without much substance below.
The drawing is related to the etching B095 : Study for Judas Returning the Thirty Pieces of Silver: c. 1628-1629?? Private collection: The drawing is related to the painting W23 : Standing Beggar in Lost Profile: c. 1628-1629: Pen: 29.4 x 17 cm: Rijksmuseum Amsterdam: The drawing is related to the etching B162 : Self-portrait with Open Mouth: c ...