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The Criterion Collection's second LaserDisc title, King Kong (1933), was the debut of the scene-specific audio commentary [27] contained in a separate analog channel of the LaserDisc, [28] in which American film historian Ronald Haver spoke about the production, cast, screenplay, production design and special effects. [29]
The Criterion Closet is a film closet owned and stocked by The Criterion Collection, a home video distribution company based in New York City with a specific emphasis on licensing, restoring, and distributing "important classic and contemporary films."
FilmStruck organized films in themed collections, while the Criterion Channel had original content such as their "Meet the Filmmaker" and "Adventures in Moviegoing" series, five-minute micro-lectures, as well as thematic programming like Friday double features and Tuesday short and feature film pairings. Some films featured hosted introductions.
Art-House Animation - Criterion Channel Teaser trailer on Vimeo; The 100 best animated movies: the best arty movies This page was last edited on 3 January ...
The Criterion Collection released a special DVD and Blu-ray edition of the documentary on August 17, 2021. [16] A restored 4K transfer of the film, the release features newly-produced and archival special features including a new commentary with Sondheim, [ 17 ] along with the parody Original Cast Album: Co-Op .
Stephen Cone is an American filmmaker, best known for Henry Gamble's Birthday Party and Princess Cyd.He has received early career retrospectives on the Criterion Channel, Mubi, and at the Museum of the Moving Image, Berlin's Unknown Pleasures Festival and Manchester's Bigger Than Life.
In September 2021, the film was taken up as a Criterion Classic by the Criterion Channel. [6] [5] Critical reception
The Criterion Channel has shown Born In Flames and an interview with Borden; and The Criterion Collection restored and released Working Girls on DVD and Blu-Ray in 2021. [ 27 ] On the fate of her Hollywood films, Borden has said, " Born in Flames and Working Girls are the only two films I consider my own.