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Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] , called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images.
A 17th century English lapidary text. The etymological root of the word lapidary is the Latin word lapis, meaning "stone". [6] In the 14th century, the term evolved from lapidarius, meaning 'stonecutter' or 'working with stone', into the Old French word lapidaire, meaning 'one skilled in working with precious stones'.
Shilpa Shastras (Sanskrit: शिल्प शास्त्र śilpa śāstra) literally means the Science of Shilpa (arts and crafts). [1] [2] It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards.
The Didarganj Yakshi (or Didarganj Chauri Bearer; Hindi: दीदारगंज यक्षी) is one of the finest examples of very early Indian stone statues.It used to be dated to the 3rd century BCE, as it has the fine Mauryan polish associated with Mauryan art, but another Yakshi is also found but without polish so it is also dated to approximately the 2nd century CE, based on the ...
A lapidary is a text in verse or prose, often a whole book, that describes the physical properties and metaphysical virtues of precious and semi-precious stones, that is to say, a work on gemology. [1]
A Venetian lapidary named Ortensio Borgio was assigned to cut the stone. It is believed that the Great Mogul Diamond exhibited several inclusions. Rejecting the idea of cutting the diamond into several fine stones, Borgio decided to address the inclusion problem by grinding away at it until the unwanted flaws were gone.
A good quality unakite is considered a semiprecious stone; it will take a good polish and is often used in jewelry as beads or cabochons and other lapidary work such as eggs, spheres and animal carvings. It is also referred to as epidotized or epidote granite.
Lapidary style is prose that is appropriate for memorials, mausoleums, stelae, and other commemorations in which words are "etched in stone"; it is concise, pithy, elegant, and sententious. The meaning extends to text in that style which is printed on paper rather than carved into monuments.