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Rush was a Canadian rock band formed in Toronto in 1968 that consisted primarily of Geddy Lee (vocals, bass guitar, keyboards), Alex Lifeson (guitar) and Neil Peart (drums, percussion). The band's original line-up consisted of Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced.
"YYZ" was the first of six Rush songs (over three decades) to be nominated for a Grammy in the category of Best Rock Instrumental Performance. [ citation needed ] The song was a live performance staple, having been played on every one of the band's concert tours since its release, except the Roll the Bones Tour .
Originally planned for inclusion on Rush's debut album, but scrapped in the end. The song has not been released in any format since the initial 1973 Moon Records release. Allegedly only 500 copies of the single were pressed. [7] [8] [10] "Finding My Way" Rush: 1974 Drummer: John Rutsey "Need Some Love" Rush: 1974 Drummer: John Rutsey "Take a ...
Caress of Steel [a] is the third studio album by Canadian rock band Rush, released on September 24, 1975, by Mercury Records.It was recorded immediately after the band concluded touring in support of their previous album, Fly By Night, and marked a development in the group's sound, moving from the blues-based hard rock style of their debut towards progressive rock.
In 2005, the album was ranked number 382 in Rock Hard magazine's book The 500 Greatest Rock & Metal Albums of All Time. [21] It was also in the top ten of a 2014 Rolling Stone website reader poll of best Rush albums. [22] Power Windows introduced more synthesizers into the band's sound.
Presto is the thirteenth studio album by Canadian rock band Rush.It was released on November 17, 1989 by Anthem Records [1] and was the band's first album released internationally by Atlantic Records, following the group's departure from Mercury.
A Farewell to Kings [a] is the fifth studio album by Canadian rock band Rush, released on Anthem Records on August 29, 1977. The album reached No. 11 in Canada and marked a growth in the band's international fanbase, becoming their first Top 40 album in the US and the UK.
Lifeson says the guitar solo in the song is a "really hard solo to play", describing it as "frenetic and exciting" and "one of the most ambitious pieces of music Rush has ever done". [15] In his book Rush, Rock Music and the Middle Class: Dreaming in Middletown, Chris McDonald describes Lifeson's play as a "searing, rapid-fire" guitar solo. [16]