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The phrase was originally said by Captain James T. Kirk (William Shatner) in the original Star Trek series. "Where no man has gone before" is a phrase made popular through its use in the title sequence of the original 1966–1969 Star Trek science fiction television series, describing the mission of the starship Enterprise.
During Star Trek: The Original Series, he served as Gene Roddenberry's right-hand man, who managed the show along with John D. F. Black, Herbert F. Solow, D.C. Fontana, and Gene L. Coon. Justman was reportedly the first to call Gene Roddenberry "The Great Bird of the Galaxy," drawn from a throwaway line from the original series episode "The Man ...
All three film reels were subsequently acquired by a private collector who has kept them in secure storage ever since the acquisition. It is understood the film has not been run in a projector since around 1972 and it is also believed that this is the only surviving complete original 16mm print of "The Cage". [citation needed]
Roddenberry fought to keep the character in the second pilot, "Where No Man Has Gone Before" after the rest of the main cast was dropped from the initial pilot, "The Cage". Soon after the series began broadcasting, "Spockmania" began. Both NBC and individual studios demanded a more prominent role for the character due to the fan response.
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The "Theme from Star Trek" (originally scored under the title "Where No Man Has Gone Before") [1] is an instrumental musical piece composed by Alexander Courage for Star Trek, the science fiction television series created by Gene Roddenberry that originally aired between September 8, 1966, and June 3, 1969.
Star Trek: Phase II was the initial working title for what officially became titled Star Trek II, an unproduced American science fiction television series created by Gene Roddenberry as a sequel to (and continuation of) the original Star Trek, which had run from 1966 to 1969.
A waning demand for traditional trailer music in the movie industry emerged by the mid-2010s; [4] [25] the pair has since focused increasingly on creating further public albums consisting of new and more varied compositions, with far less of an emphasis on composing demos for trailers, [4] while continuing to release more of their back catalog ...