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Super 8 mm, 8 mm and Standard (double) 8 mm formats Standard and Super 8 mm film comparison In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through.
Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.
The Sigma 8–16mm lens is an enthusiast-level, ultra wide-angle rectilinear zoom lens made by Sigma Corporation specifically for use with APS-C small format digital SLRs. It is the first ultrawide rectilinear (non- fisheye lens ) zoom lens with a minimum focal length of 8 mm, designed specifically for APS-C size image sensors. [ 1 ]
Double Super 8 film (commonly abbreviated as DS8 or DS 8) is a 16 mm wide film but has Super 8 size sprockets. Double Super 8 for amateurs. In amateur DS8 cameras, the film is used in the same way as standard 8 mm film in that the film is run through the camera twice, exposing one side on each pass. During processing, the film is split down the ...
The Sony E 16mm F2.8 is a wide-angle prime lens for the Sony E-mount, announced by Sony on June 11, 2010. [ 1 ] [ 2 ] Despite featuring the shortest focal length of any prime lens currently manufactured by Sony, the 16mm lens is infamous for its strong pincushion distortion, heavy chromatic aberration, and overall image softness .
Standard 8 mm film, also known as Regular 8 mm, Double 8 mm, Double Regular 8 mm film, or simply as Standard 8 or Regular 8, is an 8 mm film format originally developed by the Eastman Kodak company and released onto the market in 1932. Super 8 (left) and Regular 8 mm (right) film formats. Magnetic sound stripes are shown in gray.