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The panels were not confined to just the walls of a room but were used to decorate doors, frames, cupboards, and shelves also. It was standard for mirrors to be installed and framed by the carved boiseries, especially above the mantelpiece of a fireplace. Paintings were also installed within boiseries, above doorways or set into central panels. [7]
Part of the emblematic panelling from Lady Drury's painted closet, originally at Hawstead Place near Bury St Edmunds [1]. Lady Drury's Closet (also known as the Hawstead Panels) is a series of painted wooden panels of early 17th-century date, currently installed in the room over the porch of Christchurch Mansion in Ipswich, Suffolk, England.
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
Gingham cloth with green and white checks. Gingham, also called Vichy check, is a medium-weight balanced plain-woven fabric typically with tartan (plaid), striped, or check duotone patterns, in bright colour and in white made from dyed cotton or cotton-blend yarns.
High Humidity reduces mechanical damage such as brittle paint but raises the risks of biological organisms, e.g. white efflorescence and green-to-black stains on a panel painting. [12] High Humidity also raises the risks of curving or warping of the wood over time, forcing the paint to flake off.
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...