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Femme au béret et à la robe quadrillée (Marie-Thérèse Walter) (Woman wearing a beret and checkered dress) is an oil-on-canvas painting by Pablo Picasso, which he created in 1937. It is a portrait of Marie-Thérèse Walter , Picasso's lover and muse during this period and was created with elements of Cubism .
The final version of Picasso's 1937 The Weeping Woman is an abstract portrait of a grief-stricken woman. It is an oil painting on canvas measuring 61 x 50 cm and is signed 'Picasso 37' near the centre on the right edge. It is one of a series of artworks based on the theme of a woman weeping, which Picasso created while producing Guernica. The ...
Woman Ironing (French: La repasseuse) [1] is a 1904 oil painting by Pablo Picasso that was completed during the artist's Blue Period (1901—1904). This evocative image, painted in neutral tones of blue and gray, depicts an emaciated woman with hollowed eyes, sunken cheeks, and bent form, as she presses down on an iron with all her will.
A Woman Weeping, also known as A Weeping Woman or Study of a Weeping Woman, is a 1644 oil on oak panel painting, now in the Detroit Institute of Arts.It almost exactly corresponds to the kneeling woman in Rembrandt's The Woman Taken in Adultery (National Gallery, London) and is thought to be by one of his students after an autograph original study – Kurt Bauch argued this student was Carel ...
Les Femmes d'Alger (English: Women of Algiers) is a series of 15 paintings and numerous drawings by the Spanish artist Pablo Picasso.The series, created in 1954–1955, was inspired by Eugène Delacroix's 1834 painting The Women of Algiers in their Apartment (French: Femmes d'Alger dans leur appartement). [1]
In Woman in Hat and Fur Collar, the artist shows her facial profile and frontal view in the same painting. She is looking to viewers both left and right. In his work, woman is the vehicle for the expression of intense emotion, but the feelings expressed are those of humanity at large: far from being the other, she is the self.
"The weeping woman") is a Mexican folk song derived from the legend of La Llorona. There are many versions of the song. Its origins are obscure, but, around 1941, composer Andres Henestrosa mentioned hearing the song in the Isthmus of Tehuantepec. He popularized the song and may have added to the existing verses. [1]
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