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A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Sauchelli, Andrea (2016). The Will to Make‐Believe: Religious Fictionalism, Religious Beliefs, and the Value of Art. Philosophy and Phenomenological Research, 93, 3. Charlene Spretnak, The Spiritual Dynamic in Modern Art : Art History Reconsidered, 1800 to the Present. Veith, Gene Edward, junior. The Gift of Art: the Place of the Arts in ...
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
The Reformation had a huge impact on Christian art; Martin Luther in Germany allowed and encouraged the display of a more limited range of religious imagery in churches, seeing the Evangelical Lutheran Church as a continuation of the "ancient, apostolic church". [11]
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
A religious symbol is an iconic representation intended to represent a specific religion, or a specific concept within a given religion. [ 1 ] Religious symbols have been used in the military in many countries, such as the United States military chaplain symbols .
Russian icons are typically paintings on wood, often small, though some in churches and monasteries may be as large as a table top. Many religious homes in Russia have icons hanging on the wall in the krasny ugol —the "red" corner (see Icon corner). There is a rich history and elaborate religious symbolism associated with icons
Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.