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Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
It could just be the euphoric sensation, or “brain tingles,” derived from listening to its faint sounds, such as whispering or tapping, also known as your Autonomous Sensory Meridian Response ...
Meditation music is music performed to aid in the practice of meditation.It can have a specific religious content, but also more recently has been associated with modern composers who use meditation techniques in their process of composition, or who compose such music with no particular religious group as a focus.
Attention restoration theory (ART) asserts that people can concentrate better after spending time in nature, or even looking at scenes of nature. Natural environments abound with "soft fascinations" which a person can reflect upon in "effortless attention", such as clouds moving across the sky, leaves rustling in a breeze or water bubbling over rocks in a stream.
Berceuse – Composition resembling a lullaby, often calm and soothing. Burlesque – Composition intended to cause laughter by caricaturing the manner or spirit of serious works. Caprice – Lively piece, typically free in form and of a light, playful character. Carol – Festive folk song or popular hymn, often of religious nature.
The incorporation of bird song in music is one of the most widely studied forms of biomusic. Notable in this regard is the French composer Olivier Messiaen who began incorporating accurately transcribed bird songs into his music in 1952. One obstacle facing the use of bird songs in music is their complexity and usually very high register.
This scene transitions smoothly from listening to music to watching the dance, moving from sound to sight. The artist guides the viewer through this aesthetic journey, softening the tensions caused by the underlying power dynamics. Relaxing As the night progresses and the banquet pauses, the guests take a brief rest. The artist captures a ...
The film was edited first without music to ensure that each scene worked on its own without it, before Jóhann's score was reintroduced as "a strengthener". [9] Due to the importance of language and communication in the film's story, Jóhann immediately decided that his score would need to prominently feature the human voice. [10]