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  2. The Cholmondeley Ladies - Wikipedia

    en.wikipedia.org/wiki/The_Cholmondeley_Ladies

    The Cholmondeley Ladies (pronounced / ˈ tʃ ʌ m l i / CHUM-lee) is an early-17th-century English oil painting depicting two women seated upright and side by side in bed, each holding a baby. Measuring 88.6 by 172.3 centimetres (34.9 in × 67.8 in), it was painted on four joined panels of oak, probably in the first decade of the 17th century.

  3. Paintings of Children (Van Gogh series) - Wikipedia

    en.wikipedia.org/wiki/Paintings_of_Children_(Van...

    This painting is owned by the Cleveland Museum of Art. [50] Neither she nor her parents appreciated Van Gogh's style and were disappointed that it was not true to life. [50] Yet, even though Adeline was a young girl at the time, pictures of her as a young woman showed that van Gogh painted her as she would become. [1]

  4. The Child's Bath - Wikipedia

    en.wikipedia.org/wiki/The_Child's_Bath

    The Child's Bath (or The Bath) is an 1893 oil painting by American artist Mary Cassatt. The painting continues her interest in depicting bathing and motherhood, but it is distinct in its angle of vision. Both the subject matter and the overhead perspective were inspired by Japanese Woodcut prints and Edgar Degas. [1] [2]

  5. List of portraits by Frank Weston Benson - Wikipedia

    en.wikipedia.org/wiki/List_of_portraits_by_Frank...

    Girl in a Red Shawl: oil on canvas: 1890: 32.3 in x 32.3 in (82 cm x 82 cm) The painting is a portrait of girl seated facing left with right hand clasping red shawl at her chest. SIRIS Collection Number 80041929 [3] Portrait of Alice Bacon: oil on canvas: 1891: 36 in x 29 in (91.4 cm x 73.7 cm), Alice Bacon was the wife of W. Sturgis H. Lothrop ...

  6. Little Girl in a Blue Armchair - Wikipedia

    en.wikipedia.org/wiki/Little_Girl_in_a_Blue_Armchair

    Griselda Pollock declares the painting one of the most radical images of childhood of the time. [16] Germaine Greer calls it Cassatt's first real stunner: "As an icon of the awfulness of being at once controlled by adults and ignored by them, this bold work could hardly be bettered", [17] a view echoed by Ben Pollitt in his description of the painting as capturing the huffing and puffing ...

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