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Without Contraries is no progression. Attraction and Repulsion, Reason and Energy, Love and Hate, are necessary to Human existence. From these contraries spring what the religious call Good & Evil. Good is the passive that obeys Reason. Evil is the active springing from Energy. Good is Heaven. Evil is Hell. [6] —
In response to the original conception by Friedrich Schelling of the dialectic in his philosophical work System of Transcendental Idealism, Samuel Taylor Coleridge formed the concept of "esemplasticity", which is the ability of the imagination to unify opposites in his work Biographia Literaria. This concept allowed Coleridge to bridge ...
The work is connected with De Caelo and Meteorology, and plays a significant preparatory role to the biological and physiological texts. Among the primary themes is an investigation of physical contraries (hot, cold, dry, and moist) and the sorts of processes and types of composition that they form in nature and biology.
Ludic fallacy – failing to take into account that non-regulated random occurrences unknown unknowns can affect the probability of an event taking place. [41] Lump of labour fallacy – the misconception that there is a fixed amount of work to be done within an economy, which can be distributed to create more or fewer jobs. [42]
Donald M. MacKay says that information is a distinction that makes a difference. [4] According to Luciano Floridi [citation needed], four kinds of mutually compatible phenomena are commonly referred to as "information": Information about something (e.g. a train timetable) Information as something (e.g. DNA, or fingerprints)
The act of combining simple objects or ideas into a complex whole, or the resulting combination itself. compositionality The principle in semantics that the meaning of a complex expression is determined by the meanings of its constituent expressions and the rules used to combine them. compound formula A formula representing a compound statement ...
Themes are the major underlying ideas presented by a story, generally left open to the audience's own interpretation. Themes are more abstract than other elements and are subjective : open to discussion by the audience who, by the story's end, can argue about which big ideas or messages were explored, what conclusions can be drawn, and which ...
Chapter 1.Aristotle defines words as symbols of 'affections of the soul' or mental experiences. Spoken and written symbols differ between languages, but the mental experiences are the same for all (so that the English word 'cat' and the French word 'chat' are different symbols, but the mental experience they stand for—the concept of a cat—is the same for English speakers and French speakers).