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This is a list of Avid DNxHD resolutions, mainly available in multiple HD encoding resolutions based on the frame size and frame rate of the media being encoded. The list below shows the available encoding choices for each of the available frame size and frame rate combinations.
This format has a resolution of 2048 × 1080 (2.2 megapixels) with an aspect ratio of 256∶135 (1.8 962) or roughly "17∶9". [11] This is the native resolution for DCI-compliant 2K digital projectors – active displays with this resolution are rare. The display aspect ratio is frequently wider than the native one, requiring non-square pixels.
Three modes. 4K at 30 fps, 1080p at a consistent 60 fps, or 4K targeting 60 fps. [2] Need for Speed Payback: 30 Available [11] [9] Neon Chrome: New Super Lucky's Tale: 60 NHL 18: Available [2] NHL 19: NHL 20: Nier: Automata Become as Gods Edition: 60 [2] Nine Parchments: Available [2] [19] Ninja Gaiden Black: Original Xbox game [2] Ninja Gaiden ...
Two sizes of images are typically used: 1920×1080 ("1080i/p") and 1280×720 ("720p"). Confusingly, interlaced formats are customarily stated at 1/2 their image rate, 29.97/25 FPS, and double their image height, but these statements are purely custom; in each format, 60 images per second are produced. A resolution of 1080i produces 59.94 or 50 ...
1080p video signals are supported by ATSC standards in the United States and DVB standards in Europe. Applications of the 1080p standard include television broadcasts, Blu-ray Discs, smartphones, Internet content such as YouTube videos and Netflix TV shows and movies, consumer-grade televisions and projectors, computer monitors and video game ...
Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps segments on DVD and Blu-ray. 1999 The Blair Witch Project: Daniel Myrick, Eduardo Sanchez: English Shot on Hi8 in interlaced 60 fps, with some scenes shot on 16 mm film in 24 fps. Shown ...
In early cinema history, there was no standard frame rate established. Thomas Edison's early films were shot at 40 fps, while the Lumière Brothers used 16 fps. This had to do with a combination of the use of a hand crank rather than a motor, which created variable frame rates because of the inconsistency of the cranking of the film through the camera.
Individual still frames extracted from 3840×2160-pixel video footage can act as 8.3 megapixel still photographs, while only 2.1 megapixels at 1080p and 0.9 megapixels at 720p. If the final video resolution is reduced to 2K from a 4K recording, more detail is apparent than would have been achieved from a native 2K recording. [ 147 ]