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Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
The narrator of the song muses that she's having a hard time adjusting to life without her departed lover; even the birds are wasting their songs singing to her, and until her beloved returns, "the birds will have to find something better to do." Record World said that the "Strong multi-tracked chorus contains the old Olivia charm." [1]
Among birds which habitually borrow phrases or sounds from other species, the way they use variations of rhythm, relationships of musical pitch, and combinations of notes can resemble music. [158] Hollis Taylor's in-depth analysis of pied butcherbird vocalizations provides a detailed rebuttal to objections of birdsong being judged as music. [ 159 ]
Oiseaux exotiques (Exotic birds) is a piece for piano and small orchestra by Olivier Messiaen. It was written between 5 October 1953 and 3 January 1956 and was commissioned by Pierre Boulez . It is dedicated to the pianist Yvonne Loriod , who later became the composer's wife.
Darren Hayman - bass guitar, piano, electric guitar, Wurlitzer piano, fake strings, backing vocals; Antony Harding - acoustic guitars, electric guitar, drums, conga drums, percussion, vocals, bass, harmonica, mandolin, piano; James Milne - bass guitar (01) (05) Jack Hayter - pedal steel, viola (09) Suzanne Rhatigan - Wurlitzer piano, backing ...
"The Birds of St. Marks" is a song by Jackson Browne. It was originally written in 1967 when he was 18 and returning home to California after a brief stint living in New York where he was recording with Nico. The song was recorded as a demo for Criterion in 1970.
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First Circle is the fourth studio album by the Pat Metheny Group recorded over four days in February 1984 and released on ECM later that year. Metheny is joined by Lyle Mays on keyboards, Steve Rodby on bass, Paul Wertico on drums, and Pedro Aznar on vocals, percussion, and guitar.