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Catalogue d'oiseaux ("Catalogue of birds") is a work for piano solo by Olivier Messiaen consisting of thirteen pieces, written between October 1956 and September 1958. It is devoted to birds and dedicated to his second wife Yvonne Loriod .
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
The last refrain of the song is briefly reprised at the end of the first act by the ensemble, as Magnolia and riverboat gambler Gaylord Ravenal enter a local church to get married. The song makes one last appearance in Act II of the show, when Magnolia uses it as an audition piece while trying to get a job as a singer in the Trocadero nightclub ...
The birds surrounded him, intrigued by the power of his voice, and not one of them flew away. [1] The key of the piece is A major , often associated by Liszt with religious sentiment. [ 2 ] The piece contains representations of birdsong, one of the few examples in Liszt's works of onomatopaeia .
The first song, "Forward March", with Lyle Mays on trumpet, uses dissonant, out-of-tune chords and shifting time signatures. On putting the song first, Metheny remarked that it "seemed like a good idea at the time." [4] This was the first Group album to feature a song with written lyrics, "Más Allá," by Aznar.
Some birds will respond to a shared song type with a song-type match (i.e. with the same song type). [24] This may be an aggressive signal; however, results are mixed. [23] Birds may also interact using repertoire-matches, wherein a bird responds with a song type that is in its rival's repertoire but is not the song that it is currently singing ...