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Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
Equal chords are subtended by equal angles from the center of the circle. A chord that passes through the center of a circle is called a diameter and is the longest chord of that specific circle. If the line extensions (secant lines) of chords AB and CD intersect at a point P, then their lengths satisfy AP·PB = CP·PD (power of a point theorem).
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
Fig. 1 – A triangle. The angles α (or A), β (or B), and γ (or C) are respectively opposite the sides a, b, and c.. In trigonometry, the law of cosines (also known as the cosine formula or cosine rule) relates the lengths of the sides of a triangle to the cosine of one of its angles.
A chord is the line segment that joins two distinct points of a circle. A chord is therefore contained in a unique secant line and each secant line determines a unique chord. In rigorous modern treatments of plane geometry, results that seem obvious and were assumed (without statement) by Euclid in his treatment, are usually proved.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
For example, a side of a triangle subtends the opposite angle. More generally, an angle subtended by an arc of a curve is the angle subtended by the corresponding chord of the arc. For example, a circular arc subtends the central angle formed by the two radii through the arc endpoints.
Because C bisects the arc from A to B, C′C perpendicularly bisects the chord from A to B, say at P. Triangle C′AP is thus a right triangle, and is similar to C′CA since they share the angle at C′. Thus all three corresponding sides are in the same proportion; in particular, we have C′A : C′C = C′P : C′A and AP : C′A = CA : C′C.