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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Malevich intended the painting to evoke a feeling of floating, with the colour white symbolising infinity, and the slight tilt of the square suggesting movement. A critic from the rival Constructivist movement quipped that it was the only good canvas in an exhibition by Malevich's UNOVIS group: "an absolutely pure, white canvas with a very good ...
Kenneth Noland, Beginning, 1958, magna on canvas painting, Hirshhorn Museum and Sculpture Garden. Working in Washington, D.C., Noland was a pioneer of the color field movement in the late 1950s. Color field painting is a style of abstract painting that emerged in
Norman Lewis was the only African-American artist among the first generation of abstract expressionists, but his work was overlooked by both White and African-American art dealers and gallery owners. [10] In his last 20 years, Lewis created and developed his very own unique blending of abstraction and figuration.
Robert Rauschenberg: "A canvas is never empty". [20] In the early 1950s, became known for white, then black, and eventually red monochrome canvases. In the White Paintings [21] (1951) series, Rauschenberg applied everyday house paint with paint rollers to achieve smooth "blank" surfaces. White panels were exhibited alone or in modular groupings.
Painting Number 2 (1954), The Museum of Modern Art. Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s.
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