Search results
Results From The WOW.Com Content Network
This triad is consequently called the supertonic diminished triad. Like the supertonic minor triad found in a major key, the supertonic diminished triad has a predominant function, almost always resolving to a dominant functioning chord. [7] If the music is in a minor key, diminished triads can also be found on the raised seventh note, ♯ vii o.
In this case, the augmented triad can be named major triad sharp five, or major triad augmented fifth (M ♯ 5, M +5, maj aug5). Similarly, the diminished triad can be named minor triad flat five, or minor triad diminished fifth (m ♭ 5, m o 5, min dim5). Again, the terminology and notation used for triads affects the terminology and notation ...
Thus 4:5:6 is an otonality, but 10:12:15 is not. (Alternate voicings of 4:5:6, such as 5:6:8, 3:4:5:6, etc. would presumably also be otonalities.) Under this definition, only a few chord types qualify as otonalities or utonalities. The only otonality triads are the major triad 4:5:6 and the diminished triad 5:6:7.
minor triads contain a minor third with a major third stacked above it, e.g., in the minor triad A–C–E (A minor), A–C is a minor third and C–E is a major third. diminished triads contain two minor thirds stacked, e.g., B–D–F (B diminished) augmented triads contain two major thirds stacked, e.g., D–F ♯ –A ♯ (D augmented ...
Further septimal chords are the diminished triad, having the two forms C-D ♯-G ♭ and C-F-G ♭, the subminor triad, C-F-G, the supermajor triad C-D-G, and corresponding tetrads C-F-G-B and C-D-G-A ♯. Since 53-TET tempers out the septimal kleisma, the septimal kleisma augmented triad C-F ♭-B in
Its tonic chord is a diminished triad (B dim = B dim 5 min 3 = B D F, in the Locrian mode using the white-key diatonic scale with starting note B, corresponding to a C major scale starting on its 7th tone). This mode's diminished fifth and the Lydian mode's augmented fourth are the only modes that contain a tritone as a note in their modal scale.
A diminished triad with a minor seventh is a half-diminished chord, usually notated either Cm 7(♭ 5) or C ø7. A diminished triad played over a root a major third away creates a Dominant 7th chord, notated C 7, with a C Major triad on the bottom, and an E° from the chord third of C (C E G B ♭). A minor third below would give a fully ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]