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The Philippine Propaganda Movement encompassed the activities of a group based in Spain but coming from the Philippines, composed of Indios (indigenous peoples), Mestizos (mixed race), Insulares (Spaniards born in the Philippines, also known as "Filipinos" as that term had a different, less expansive meaning prior to the death of Jose Rizal in Bagumbayan) and Peninsulares (Spaniards born in ...
Regarded as one of the national treasures of the Philippines, [13] a copy of the painting is part of the art collection of the Bangko Sentral ng Pilipinas (Central Bank of the Philippines). [6] The original was destroyed in a fire at the University of Valladolid in Spain. [ 14 ]
During the Japanese Occupation of the Philippines in World War II, Velasquez was forced to use his Kenkoy character as war propaganda to influence the Filipinos. Refusing at first, then Philippine President Jose P. Laurel was able to convince Velasquez to concede and use Kenkoy as a promotional tool for Laurel’s health programs instead of as war propaganda.
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
"The first manifestation of Philippine nationalism followed in the decades of the 1880s and the 1890s, with a reform or propaganda movement, conducted both in Spain and in the Philippines, for the purpose of "propagandizing" Philippine conditions in the hopes that desired changes in the social, political and economic life of the Filipinos would ...
Protest art against the Marcos dictatorship in the Philippines pertains to artists' depictions and critical responses to social and political issues during the presidency of Ferdinand Marcos. Individual artists as well as art groups expressed their opposition to the Marcos regime through various forms of visual art, such as paintings, murals ...
An official sample of a Philippine passport with "Maria dela Cruz" as the fictitious placeholder owner of the document. Activists often portray Juan dela Cruz as a victim of American imperialism, especially since many editorial cartoons of the American period often depicted him alongside Uncle Sam either as a "Little Brown Brother" or as an Asian Partner.
Philippine historians regard López Jaena, along with Marcelo H. del Pilar and José Rizal, as the triumvirate of Filipino propagandists. Of these three ilustrados , López Jaena was the first to arrive in Spain and may have begun the Propaganda Movement , which advocated the reform of the then-Spanish colony of the Philippines and which ...