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Polly is a ballad opera with text by John Gay and music by Johann Christoph Pepusch. It is a sequel to Gay's The Beggar's Opera. Due to censorship, the opera was not performed in Gay's lifetime. It had its world premiere on 19 June 1777 at the Haymarket Theatre in London.
The Beggar's Opera [1] is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch.It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today.
Part of the success of The Beggar's Opera may have been due to the acting of Lavinia Fenton, afterwards Duchess of Bolton, in the part of Polly Peachum. The airs of the Beggar's Opera in part allude to well-known popular ballads, and Gay's lyrics sometimes play with their wording in order to amuse and entertain the audience. [17]
His published output (apart from The Beggar's Opera, Polly and Perviligium Veneris) consists mainly of song settings for solo voice or chorus, while most of his major orchestral and other works remain in manuscript (see the 'MS' column). Most of Austin's works can be accurately dated, though some (mostly lacking an extant MS) are undated: see ...
Captain Macheath is a fictional character who appears both in John Gay's The Beggar's Opera (1728), its sequel Polly (1777), and 150 years later in Bertolt Brecht's The Threepenny Opera (1928). [1] Thomas Walker who created the role of Macheath in The Beggar's Opera, in character in a 1728 engraving
Austin in 1907. Frederic William Austin (30 March 1872 – 10 April 1952) was an English baritone singer, a musical teacher and composer in the period 1905–30. He is perhaps best remembered for his arrangement of Johann Pepusch's music for a 1920 production of The Beggar's Opera by John Gay, and its sequel Polly in 1922; and for his popularization of the melody of the carol The Twelve Days ...
Lavinia Fenton as Polly Peachum in John Gay's Beggar's Opera (Charles Jervas). Lavinia Powlett, Duchess of Bolton (1708 – 24 January 1760), known by her stagename as Lavinia Fenton, was an English actress who was the mistress and later the wife of the 3rd Duke of Bolton.
In The Beggar's Opera the song is a duet between the antihero Macheath and his lover Polly. It is a romantic dream of escape, with no military references. [4] MACHEATH: Were I laid on Greenland's Coast, And in my Arms embrac'd my Lass; Warm amidst eternal Frost, Too soon the Half Year's Night would pass. POLLY: Were I sold on Indian Soil,