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Gallery wrap is a method of displaying art wrapped over thick wooden bars so that there are no visible fasteners (such as staples or tacks). This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting. In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation.
They are traditionally a wooden framework support [1] on which an artist fastens a piece of canvas. They are also used for small-scale embroidery to provide steady tension, affixing the edges of the fabric with push-pins or a staple gun before beginning to sew, and then removing it from the stretcher when the work is complete.
Canvas board, a piece of canvas mounted onto a paper board, provides another low-cost alternative for sketches. [3] The hardwood (oak, birch, poplar) panel was the original choice of support for painters in the ancient times. Masonite is the modern engineered wood that is also used for painting. Many contemporary artists still use panels due to ...
Strainer bars are fixed to one another with wood glue, nails or staples, often in conjunction. Strainer bar frames are often reinforced with other fixed elements such as corner and cross braces . These frames are not built to accommodate the insertion of tightening keys into their corners to further tighten the canvas stretched upon them as a ...
It is popularly used by artists as a painting surface, typically stretched across a wooden frame. Modern canvas is usually made of cotton or linen, or sometimes polyvinyl chloride (PVC), although historically it was made from hemp. It differs from other heavy cotton fabrics, such as denim, in being plain weave rather than twill weave.
Example of a cradled panel, mounted on the back of a painting by Aert van der Neer. Example of an oak panel in its original state, the back of a Jan Davidsz. de Heem still life. Cradling is a process used in the restoration and preservation of paintings on wooden panel .