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Bartolomeo Bimbi (15 May 1648 – 1729) was a Florentine painter of still lifes, commissioned by his patrons including Cosimo III, Grand Duke of Tuscany to paint large canvases of flora and fauna for the Medici Villa dell'Ambrogiana and della Topaia, now conserved in the Pitti Palace and the Museo Botanico dell'Universita.
Giovanna Garzoni, self-portrait Still Life with Bowl of Citrons, late 1640s, now in J. Paul Getty Museum. [1] Giovanna Garzoni (1600 – February 1670) was an Italian Baroque painter. She began her career painting religious, mythological, and allegorical subjects but gained fame for her still life botanical subjects painted in tempera and ...
Fede Galizia, better known as Galizia, (c. 1578 – c. 1630) was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art.
His notname is derived from a still-life with flower and fruits, on a table, kept at the Wadsworth Atheneum in Hartford, Connecticut. By comparing this painting with similar ones, a style group was created. Certain elements reminiscent of Caravaggio have been detected. Suggestions that these are by the young Caravaggio himself are reasonable ...
Bartolomeo Arbotori (20 April 1650 in Piacenza – 23 August 1732 in Parma) was an Italian painter of the Baroque period, active mainly in Piacenza and Parma. He is known for still-life paintings of live and dead game, including animals, birds, and fish. Felice Boselli painted in his studio.
Still life in a landscape with peaches, plums and artichoke. Aniello Ascione (fl 1680 –1708) was an Italian painter of still lifes. He is regarded as an important representative of the Flemish style of Baroque still life painting and a follower of the Flemish painter Abraham Brueghel who worked in Naples in the final quarter of the 17th century.
Vanitas still life (by 1681). Initially a pupil of Daniele Crespi, Cittadini moved to Bologna before the age of 20 to study with Guido Reni, whose influence is clearly evident in such early works as the Stoning of Saint Stephen, the Flagellation and the Crowning with Thorns in the church of Santo Stefano, Bologna. [1]
Unlike the Netherlands, the painting of still life and genre painting did not attract as many practitioners among Italian painters. This is a partial list of still life painters active or born in Italy, concentrating on painters from before the 20th century.