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Cambo - large format cameras, architectural cameras and repro cameras designed for digital backs; Contour - wearable HD action cams for video and capable of taking stills; Covert - trail cameras; Creative - webcams only; previously offered compact digital cameras; Cuddeback - trail cameras
Another drawback is in the usage of recording capacity, as a four-camera setup may use (depending on the cameras involved) up to four times as much film (or digital storage space) per take compared with a single-camera setup. A multiple-camera setup will require all cameras to be synchronous to assist with editing and to avoid cameras running ...
Diagram showing a single-camera setup. In filmmaking, television production and video production, the single-camera setup or single-camera mode of production (also known as portable single crew, portable single camera or single-cam) is a method in which all of the various shots and camera angles are taken using the same camera.
In television programming, the situation comedy or sitcom may be recorded using either a multiple-camera setup or a single-camera setup.Single-camera sitcoms are often notable for their enhanced visual style, use of real-world filming locations and in recent years, for not having a laugh track (most single-camera sitcoms from the 1960s contained a laugh track).
Cuddeback Lake is a dry lake in the Mojave Desert of San Bernardino County, California, 60 km (37 mi) northeast of Edwards Air Force Base. The lake is approximately 10 km (6 mi) long and 4 km (2 mi) at its widest point.
Cuddeback is a surname. Notable people with the surname include: Leon D. Cuddeback (1898–1984), American aviator; William H. Cuddeback (1852–1919), American ...
I wonder if it's worth mentioning that situations in movie production where multiple cameras are necessary. The most frequent one that comes to mind would be a stunt that's too expensive to be repeated, such as the destruction of a building (Lethal Weapon 3 or Terminator 2 where 11 cameras were used to film the destruction of Cyberdyne HQ) or an elaborate chase scene (True Lies).
These vision engineers had two roles. Firstly, they set up the CCUs at the start of a production and ensured that the picture created was of broadcast quality. This process included a lengthy alignment process in which the vision engineer would work with the camera operator, to adjust the settings on both the actual camera and the CCU in tandem ...