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Davidson notes that the gods are described as meeting beneath Yggdrasil to hold their things, and the related Irminsul, which may have been a pillar, was also symbolic of the center of the world. Davidson details that it would be difficult to ascertain whether a tree or pillar came first, and that this is likely to depend on whether the holy ...
Yggdrasil is a tree central to the Norse concept of the cosmos. The tree's branches extend into various realms, and various creatures dwell on and around it. The gods go to Yggdrasil daily to assemble at their things, traditional governing assemblies.
Tlaloc, god of thunder, rain and the earth. In this layer he pierces the "clouds' bellies" to make them rain. Ehecatl, god of the wind. In this layer he blows the clouds with his breath (breezes) to make them move. The Ehecatotontli, gods of the breezes. Mictlanpachecatl, god of the north wind. Cihuatecayotl, god of the west wind.
The gods inhabit the heavenly realm of Asgard whereas humanity inhabits Midgard, a region in the center of the cosmos. Outside of the gods, humanity, and the jötnar, these Nine Worlds are inhabited by beings, such as elves and dwarfs. Travel between the worlds is frequently recounted in the myths, where the gods and other beings may interact ...
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The nine regions of Mictlán (also known as Chiconauhmictlán) in Aztec mythology take shape within the Nahua worldview of space and time as parts of a universe composed of living forces. According to Mexica mythology, in the beginning, there were two primordial gods, Omecíhuatl and Ometecuhtli, whose children became the creator gods.
Niflheim was primarily a realm of primordial ice and cold, with the frozen rivers of Élivágar and the well of Hvergelmir, from which come all the rivers. [2] According to Gylfaginning, Niflheim was the first of the two primordial realms to emanate out of Ginnungagap, the other one being Muspelheim, the realm of fire. Between these two realms ...
A symbol used by many Tengrists, representing the runic spelling of god Tengri and "shangrak" (an equilateral cross in a circle), depicting the roof opening of a yurt, and a shaman's drum. Many world-pictures and symbols are attributed to folk religions of Central Asia and Russian Siberia.