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Pages in category "German Expressionist films" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. A. Algol (film)
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
This is a list of the most notable films produced in the German Empire until 1918, in year order. It includes German films from the introduction of the medium to the resignation of the Emperor at the end of World War I. Many of these films laid the groundwork for German Expressionism.
List of East German films from the 1949–1990 German Democratic Republic; In 1949, both the Federal Republic of Germany (West Germany) and the German Democratic Republic (East Germany) came into existence, in 1990 they reunited as the Federal Republic, again informally referred to as simply Germany.
Robert Wiene (German:; 27 April 1873 – 17 July 1938) was a German film director, screenwriter and producer, active during the silent era. He is widely-known for directing the landmark 1920 film The Cabinet of Dr. Caligari and a succession of other expressionist films. Wiene also directed a variety of other films of varying styles and genres.
This is a list of the most notable films produced in Germany of the Weimar Republic era from 1919 until 1932, in year order. This period, between the end of World War I and the advent of the Nazi regime, is considered an early renaissance in world cinema, with many influential and important films being made.
From Morn to Midnight (German: Von morgens bis mitternachts) is a 1920 German silent expressionist film directed by Karlheinz Martin based on the 1912 play From Morning to Midnight by Georg Kaiser. It is one of the most radical films of the German Expressionist movement. [1]
American films took up around 30 percent of the market despite having around twice as many films in distribution as the German industry in the same time frame. [48] Many of the German films of the immediate post-war period can be characterised as belonging to the genre of the Trümmerfilm (literally "rubble film").