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Donatello certainly made drawings, probably especially for reliefs. In the case of his stained glass designs and perhaps other works these were his whole contribution. Vasari claimed to have several in his collection, which he praised highly: "I have both nude and draped figures, various animals which astound anyone who sees them, and other ...
The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
A comparison between the sculpture and that of Marcus Aurelius' equestrian statue shows how closely Donatello looked to classical art and its themes. In this depiction of Marcus Aurelius, the emperor dwarfs his horse, dominating it by size. However, the emperor also has a facial expression of dominance and determination.
Domenico Ghirlandaio, Confirmation of the Rule (detail) - the original Marzocco can be seen on the corner of the palazzo in the background at left, 1480s.. The original that had stood since (perhaps) 1377, and is now lost, appears to have been similar to Donatello's in design, though it was fully gilded and may have crouched over a submissive wolf representing Florence's great rival Siena. [1]
David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello, probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance , and the first freestanding nude male sculpture made since antiquity.
Though the "Penitent Magdalene" was the usual depiction for the many single figures of Mary Magdalene in art, Donatello's gaunt, emaciated figure differs greatly from most depictions, which show a beautiful young woman in nearly perfect health. The Magdalene Penitent is famous for the detailed and very realistic carvings on the statue.
The Feast of Herod is a bronze relief sculpture created by Donatello circa 1427. It was made for the font of the Siena Baptistery of San Giovanni in Italy. It is one of Donatello's earliest relief sculptures, and his first bronze relief. [1] The sculpture is noted for Donatello's use of perspective. [2] The piece is 60 by 61 centimeters.
Donatello's Saint Mark (1411–1413) is a marble statue that stands approximately 7 ft 9 in (2.36 m) high and is displayed in the museum of the Orsanmichele church, Florence. It originally was displayed in an exterior niche of the church, where a copy now stands.