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The Creon of Oedipus Rex is in some ways different and in some ways similar to the Creon of Antigone. In Oedipus Rex , he appears to favor the will of the gods above decrees of state. Even when Oedipus says that, once dethroned, he must be exiled, Creon waits for the approval of the gods to carry out the order once he has been crowned king.
Creon, Antigone's uncle and newly appointed King of Thebes, buries Eteocles, who fought on the Theban side of the war, hailing him as a great hero. He refuses to bury Polyneices, proclaiming that any who attempt to defy his wishes will be made an example of, on the grounds that he was a 'traitor' fighting on the opposing side in the war.
Antigone is walled up in the cave, and Haemon sneaks in to share her fate. The people, outraged by Creonte’s cruelty, rise up and proclaim Antigone as queen. She is freed, and Antigone assures that she forgives Creonte. The opera ends with hope for the restoration of peace in Thebes. [1] Creonte was written in the genre of Italian opera-seria.
Antigone is brought before Creon, and admits that she knew of Creon's law forbidding mourning for Polynices but chose to break it, claiming the superiority of divine over human law, and she defies Creon's cruelty with courage, passion, and determination. Creon orders Antigone buried alive in a tomb.
Polynices' sister Antigone announces her intention to defy Creon and bury her brother, begins the burial, is discovered by guards and arrested, sentenced to death by Creon, and hangs herself. [100] Discounting the probably spurious scene in Aeschylus' Seven Against Thebes , Sophocles' play is our earliest source for any involvement of Antigone ...
Creon (/ˈkriːɒn/; Ancient Greek: Κρέων, romanized: Kreōn, lit. 'ruler' [1]) may refer to three different characters: Creon, king of Thebes and brother of Jocasta. [2] Creon, king of Corinth and father of Creusa, the bride of Jason. [3] Creon, the Thespian son of Heracles by an unnamed daughter [4] of King Thespius of Thespiae. [5]
The contrasting views of Creon and Antigone with regard to laws higher than those of state inform their different conclusions about civil disobedience. Creon demands obedience to the law above all else, right or wrong. He says that "there is nothing worse than disobedience to authority" (An. 671). Antigone responds with the idea that state law ...
Antigone was first performed in Paris at the Théâtre de l'Atelier on February 6, 1944, during the Nazi occupation.Produced under Nazi censorship, the play is purposefully ambiguous with regard to the rejection of authority (represented by Antigone) and the acceptance of it (represented by Creon).