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The speech banana is a banana-shaped region where the sounds of human languages appear on an audiogram. (An audiogram is a graphical representation of someone's ability to hear over a range of frequencies and loudness levels. Hearing on an audiogram is displayed as frequency in Hertz on the x-axis and loudness in decibels on the y-axis.)
An audiogram is a graph that shows the audible threshold for standardized frequencies as measured by an audiometer. The Y axis represents intensity measured in decibels (dB) and the X axis represents frequency measured in hertz (Hz). [ 1 ]
In audiology, the Articulation Index (AI) is a tool used to predict the amount of speech that is audible to a patient with a specific hearing loss.The AI figure for a given patient can range from zero to one, representing the proportion of the average speech signal that is audible.
The result of most audiometry is an audiogram plotting some measured dimension of hearing, either graphically or tabularly. The most common type of audiogram is the result of a pure tone audiometry hearing test which plots frequency versus amplitude sensitivity thresholds for each ear along with bone conduction thresholds at 8 standard ...
The shape of the audiogram resulting from pure-tone audiometry gives an indication of the type of hearing loss as well as possible causes. Conductive hearing loss due to disorders of the middle ear shows as a flat increase in thresholds across the frequency range. Sensorineural hearing loss will have a contoured shape depending on the cause.
The absolute threshold of hearing (ATH), also known as the absolute hearing threshold or auditory threshold, is the minimum sound level of a pure tone that an average human ear with normal hearing can hear with no other sound present.
The graphs in Figure B are a series of masking patterns, also known as masking audiograms. Each graph shows the amount of masking produced at each masker frequency shown at the top corner, 250, 500, 1000 and 2000 Hz. For example, in the first graph the masker is presented at a frequency of 250 Hz at the same time as the signal.
The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.