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  2. Canvas - Wikipedia

    en.wikipedia.org/wiki/Canvas

    Splined canvas can be restretched by adjusting the spline. Stapled canvases stay stretched tighter over a longer period of time, but are more difficult to re-stretch when the need arises. Canvas boards are made of canvas stretched over and glued to a cardboard backing, and sealed on the backside. The canvas is typically linen primed for a ...

  3. Jerry Weiss (artist) - Wikipedia

    en.wikipedia.org/wiki/Jerry_Weiss_(artist)

    He uses Claessens oil-primed linen for portraits and panels for landscape work. [4] ... c.2000, oil on canvas, 60 x 38" Standing Nude, 2002, oil on canvas, 48" by 24"

  4. David Lenz - Wikipedia

    en.wikipedia.org/wiki/David_Lenz

    For a major work, he also completes an extensive array of color sketches. After the composition is fully developed, the image is drawn out carefully with pencil on a stretched canvas or board. Lenz's painting technique is quite traditional; straight oil paint is applied using small round sable brushes over a primed and warmly tinted linen ...

  5. The Fable of Fox and Heron - Wikipedia

    en.wikipedia.org/wiki/The_Fable_of_Fox_and_Heron

    The work is first sketched and the composition planned (see figure to the right). Linen Canvas is stretched across a wooden frame and secured with metal brackets (or staples). Then it is coated with a thin glue and primed with a transparent red pigment. The artist may then begin to apply the oil paint as desired. [4]

  6. Sean Landers - Wikipedia

    en.wikipedia.org/wiki/Sean_Landers

    The medium of oil on linen immediately gave them a link to traditional art-making practices and it guaranteed the immortality of the words and the artist. [27] “..That’s why I stopped writing on paper and started writing on lead primed linen…I wanted it to last. That’s behind my impulse to make art.

  7. Mark Grotjahn - Wikipedia

    en.wikipedia.org/wiki/Mark_Grotjahn

    Using sheets of cardboard that are primed and mounted on linen as the ground, Grotjahn employs a brush and palette knife to extensively build layer upon layer of oil paint to almost sculptural ends. [16] Grotjahn's mask sculptures extend the artist's idiosyncratic investment in the process and ritual of painting into three dimensions. [12]