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Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx.Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors.
A critical lens is a way of looking at a particular work of literature by focusing on style choices, plot devices, and character interactions and how they show a certain theme (the lens in question). It is a common literary analysis technique. [1]
Marxist literary criticism is a loose term describing literary criticism based on socialist and dialectic theories. [153] Marxist criticism views literary works as reflections of the social institutions from which they originate. According to Marxists, even literature is a social institution with a specific ideological function based on the ...
On the Jewish Question" is a response by Karl Marx to then-current debates over the Jewish question. Marx wrote the piece in 1843, and it was first published in Paris in 1844 under the German title " Zur Judenfrage " in the Deutsch–Französische Jahrbücher .
His book Criticism and Ideology (1976) showcased a Marxist approach to literary theory. [3] He rose to prominence with the text Literary Theory: An Introduction (1983), his best-known work. Alan Jacobs of First Things said that his style of writing "wittily and even elegantly" was unusual in literary theory at the time. [1]
This includes general intellectual criticism about dogmatism, a lack of internal consistency, criticism related to materialism (both philosophical and historical), arguments that Marxism is a type of historical determinism or that it necessitates a suppression of individual rights, issues with the implementation of communism and economic issues ...
Various Marxist authors have focused on Marx's method of analysis and presentation (historical materialist and logically dialectical) as key factors both in understanding the range and incisiveness of Karl Marx's writing in general, his critique of political economy, as well as Grundrisse and Das Kapital in particular.
Cornforth argued that Caudwell's theory of poetry was idealized, dependent on a Freudian concept of pre-social 'instincts' that was incompatible with Marxism. George Thomson answered Cornforth in the next issue (Spring 1951) by reaffirming Illusion and Reality's contribution to literary criticism. The next two issues (Summer and Autumn) saw the ...