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Tlaltecuhtli's importance in the Mexica pantheon is demonstrated by her inclusion in major works of art. A representation of the goddess can be found on each side of the 1503 CE Coronation Stone of the Aztec ruler Moctezuma II, alongside the glyphs for fire and water — traditional symbols of war.
There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
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Statue of Toci (Tlazolteotl) from Mexico, 900–1521 CE (British Museum, id:Am1989,Q.3 ) Toci [a] is a prominent deity in the religion and mythology of the pre-Columbian Aztec civilization of Mesoamerica. In Aztec mythology, she is seen as an aspect of the mother goddess Coatlicue or Xochitlicue and is thus labeled "mother of the gods". [b]
Tlazōlteōtl was one of the primary Aztec deities celebrated in the festival of Ochpaniztli (meaning "sweeping") that was held September 2–21 to recognize the harvest season. The ceremonies conducted during this timeframe included ritual cleaning, sweeping, and repairing, as well as the casting of corn seed, dances, and military ceremonies.
Native Chinese religions do not usually use cult images of deities, or even represent them, and large religious sculpture is nearly all Buddhist, dating mostly from the 4th to the 14th century. One of the earliest Buddhist sculpture in China is a gilt-bronze seated Buddha with flame shoulders from the 3rd century, which displays influence from ...
Below this, facing upwards, is a depiction of the earth deity Tlaltecuhtli, next to which is military equipment representing warfare. The lower part of the front of the sculpture displays the dates One Rabbit (left) and Two Reed (right). The latter includes a rope representing the New Fire ceremony in that year. Together, the dates refer to ...
Ancient influences from Central Asia became identifiable in China following contacts of metropolitan China with nomadic western and northwestern border territories from the 8th century BC. The Chinese adopted the Scythian-style animal art of the steppes (descriptions of animals locked in combat), particularly the rectangular belt-plaques made ...