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Opening of the Revolutionary Étude. Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").
Analysis of Chopin Etudes at Chopin: the poet of the piano; Études Op.10: Scores at the International Music Score Library Project; Op. 10, No. 10 played by Alfred Cortot; Op. 10, No. 10 played by Claudio Arrau; Op. 10, No. 10 played by Sviatoslav Richter; Op. 10, No. 10 played by Paul Badura-Skoda; Op. 10, No. 10 played by Vladimir Ashkenazy
Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
The last opus number Chopin used was 65, that allocated to the Cello Sonata in G minor. He expressed a death-bed wish that all his unpublished manuscripts be destroyed. This included the early Piano Sonata No. 1; Chopin had assigned the Opus number 4 to it in 1828, and had even dedicated it to his teacher Elsner, but chose not to publish it. In ...
The Studies on Chopin's Études are a set of 53 arrangements of Chopin's études by Leopold Godowsky, composed between 1894 and 1914. They are renowned for their technical difficulty: critic Harold C. Schonberg called them "the most impossibly difficult things ever written for the piano."
Étude Op. 10, No. 1 in C major is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 in France, [ 1 ] Germany, [ 2 ] and England [ 3 ] as the first piece of his Études Op. 10 .
Musicologist Hugo Leichtentritt (1874–1951) calls the étude a "moto perpetuo". [10] The transparent texture of nonstop semiquavers accompanied by a light "dancing" bass has its forerunners in Bach's Prelude No. 5 in D major (BWV 850) from the first book of The Well-Tempered Clavier and resembles other virtuoso pieces from around 1830 such as Paganini's Moto Perpetuo for violin and piano.
Étude Op. 25, No. 12 in C minor is one of Frédéric Chopin's formal studies for the piano, opus 25, dedicated À Madame la Comtesse d'Agoult. It was first published in 1837 in French, German, and English.