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Cassette decks soon came into widespread use and were designed variously for professional applications, home audio systems, and for mobile use in cars, as well as portable recorders. From the mid-1970s to the late 1990s the cassette deck was the preferred music source for the automobile.
The 1970s saw the inclusion of a deck for playing cassette tapes in addition to the turntable and receiver components. The cassette deck was either a top-loading unit beside the turntable or a front-loading unit mounted on a deeper front panel. [4] "Midi" system, circa 1980s. Quadraphonic sound was released in 1970 and never gained much popularity.
The Nakamichi Dragon is an audio cassette deck that was introduced by Nakamichi in 1982 and marketed until 1994. The Dragon was the first Nakamichi model with bidirectional [a] replay capability and the world's first production tape recorder with an automatic azimuth correction system; this feature, which was invented by Philips engineers and improved by Niro Nakamichi, continuously adjusts ...
Digital Compact Cassette (DCC), a magnetic tape sound recording format introduced by Philips and Matsushita in late 1992 and marketed as the successor to the standard analog Compact Cassette; NT (cassette), a small cassette tape created by Sony that was smaller than a Picocassette only used for dictation machines but had plans to be used in music
Some typical cassette deck frequency response curves showing the effects of different bias settings are provided in the relevant figure. Time constant of replay equalization (often shortened to EQ) for Type I tapes equals 120 μs, as per the Philips specification. The time constant for Type II, III and IV tapes is set at a lower value of 70 μs.
Standard tape speeds varied by factors of two: 15 and 30 in/s were used for professional audio recording; 7 + 1 ⁄ 2 in/s (19.1 cm/s) for home audiophile prerecorded tapes; 7 + 1 ⁄ 2 and 3 + 3 ⁄ 4 in/s (19.1 and 9.5 cm/s) for audiophile and consumer recordings (typically on 7 in (18 cm) reels).
A side-effect of cutting the tape at an angle is that on stereo tapes the edit occurs on one channel a split-second before the other. Long, angled splices can also be used to create a perceptible dissolve from one sound to the next; periodic segments can induce rhythmic or pulsing effects. [5]
A personal stereo, or personal cassette player, is a portable audio player for cassette tapes. This allows the user to listen to music through headphones while walking, jogging or relaxing. Personal stereos typically have a belt clip or a shoulder strap so a user can attach the device to a belt or wear it over their shoulder.