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Figure from the 1804 edition of Della picture showing the vanishing point Rendition of Alberti's description of how a circle projected as an ellipse Figure showing pillars in perspective on a grid. De pictura (English: "On Painting") is a treatise or commentarii written by the Italian humanist and artist Leon Battista Alberti. The first version ...
Leon Battista Alberti (Italian: [leˈom batˈtista alˈbɛrti]; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths.
Durante Alberti (c. 1556 – 1623) was an Italian painter of the late-Renaissance period. The Transfiguration, in the church Il Gesù, Rome. He was born in Borgo San Sepolcro. He was active mainly in his native town and Rome, where he arrived during the papacy of Gregory XIII. He was also called Durante del Nero. His father was Romano Alberti.
De re aedificatoria, title page of the 1541 edition Title page of 1550 edition, Florence. De re aedificatoria (On the Art of Building) is a classic architectural treatise written by Leon Battista Alberti between 1443 and 1452. [1]
The main aim of the treatise was to argue that painting was a science. [1] [2] Leonardo's keen observation of expression and character is evidenced in his comparison of laughing and weeping, about which he notes that the only difference between the two emotions in terms of the "motion of the [facial] features" is "the ruffling of the brows, which is added in weeping, but more elevated and ...
Italian Renaissance painting [15] and sculpture are marked by their renewal of classical forms, motifs and subjects. In the 15th century Leon Battista Alberti was important in theorizing many of the ideas for painting that came to a fully realized product with Raphael's School of Athens during the High Renaissance.
The brother of Alessandro and Cherubino Alberti, and third son of Alberto, he was born at Borgo S. Sepolcro. [1] He went to Rome during the papacy of Gregory XIII, who employed him in the papal palace on Monte Cavallo, and in the Vatican. He excelled in painting landscapes and perspective, in which the figures were usually painted by Cherubino.
The painting consists of a city landscape, glowing in the morning light, nearly empty of human activity. There are five structures that define the space. At the center is a Roman triumphal arch , reminiscent of the Arch of Constantine in Rome , the prominent position of which speaks to the importance of military leadership.