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In February 2023, according to Billboard, a new documentary and posthumous album would explore the singer's lifelong connection to gospel music.The album I Go to the Rock: The Gospel Music of Whitney Houston, would feature previously unreleased tracks, including the upcoming first single "Testimony", issued before the full album to be released later in the year. [2]
The album was the number one gospel album on the 1997 Billboard Top Gospel Albums year-end chart. Prior to the album's release, music industry insiders had expected The Preacher's Wife soundtrack to "do at least as well as" Waiting to Exhale's soundtrack, which sold 5,100,000 copies in the United States. [16]
The title track is a gospel song, written by R. Kelly, which pertains to Houston's faith in God. [ 26 ] [ 27 ] The album's second single, " Million Dollar Bill ", is an old school R&B song which was written by Alicia Keys , Swizz Beatz and Norman Harris.
Per the official website, Pat Houston, Executor of the Estate, said, “I Go to the Rock: The Gospel Music of Whitney Houston is a testament of Whitney’s heart. Her love for gospel music ...
That part of the late superstar’s musical legacy can continue through “I Go to the Rock: The Gospel Music of The post Whitney Houston’s family wants to highlight her gospel roots appeared ...
The song was written and produced solely by Babyface. Musically, the song is an R&B ballad, with gospel music and funk influences, and the lyrics speak about meeting someone special. "My Heart Is Calling" received mainly positive reviews from music critics, who commended Houston's soulful performance.
That was Whitney,” he stated. Houston, who accidentally drowned in a bathtub in 2012, was also close with Winans’ sister, fellow gospel artist CeCe Winans. She later performed at Houston’s ...
About.com ranked "All the Man That I Need" number four in their list of "Top 20 Best Whitney Houston Songs" in 2018, noting that it has "a prominent gospel choir in the final chorus." [37] In a 2020 retrospective review, Matthew Hocter from Albumism described it as "a power ballad bringing some serious drama". [38]