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The Thinker figurine is made of fired clay and depicts a person seated with their chin resting on one hand, suggesting deep contemplation. The figurine is 4.5 inches (11 cm) tall. [ 8 ] This posture unmistakably conveys a meditative disposition, which led to its name, The Thinker , [ 9 ] drawing inspiration from Rodin 's renowned sculpture of a ...
Side view Full frontal view. The rock sculpture of Decebalus (Romanian: Chipul regelui dac Decebal) is a colossal carving of the face of Decebalus (r. AD 87–106), the last king of Dacia, who fought against the Roman emperors Domitian and Trajan to preserve the independence of his country, which corresponds to present-day Romania.
A good examples of this is the Thinker of Hamangia, a clay figurine produced by the Hamangia culture. Important cultures of the Neolithic era include Starčevo–Körös–Criș , Boian , Gumelnița–Karanovo , and other ones, the most famous and at the same time the most evolved among them in art being the Cucuteni–Trypillia culture . [ 2 ]
Goddess figurine, Romania, 4050–3900 BC. The roots of Cucuteni–Trypillia culture can be found in the Starčevo–Körös–Criș and Vinča cultures of the 6th to 5th millennia, [21] with additional influence from the Bug–Dniester culture (6500–5000 BC). [35]
Pages in category "Outdoor sculptures in Romania" The following 15 pages are in this category, out of 15 total. ... Statue of Mihai Eminescu, Galați;
The thinking figurines of the Hamangia culture—the "Thinkers" (National History and Archaeology Museum, Constanța). Hoes, coulters and other tools made of antler were unearthed at nine "Schela Cladovei" settlements along the Lower Danube, suggesting that cultivation of plants began in the lands now forming Romania between around 9500 and 7500 BC. [1]
The Hamangia culture is a Late Neolithic archaeological culture of Dobruja (Romania and Bulgaria) between the Danube and the Black Sea and Muntenia in the south. It is named after the site of Baia-Hamangia , discovered in 1952 along Golovița Lake .
Caloian events were largely confined to Muntenia, Oltenia and Northern Dobruja (the southern part of Romania), though they have been well attested in specific parts of Western Moldavia. Similar practices, assigning usually female characteristics and names to the clay figurine, are spread throughout other parts of the Romanian-speaking areal.