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The genitive, Beatae Mariae Virginis (BMV), occurs often as well, appearing with such words as horae (hours), litaniae and officium (office). beatae memoriae: of blessed memory: See in memoriam: beati pauperes spiritu: blessed in spirit [are] the poor.
The Missa in honorem Beatissimae Virginis Mariae (Hob. XXII:4) in E ♭ major was written by Joseph Haydn for performance in Esterhaza in 1770. It was part of Haydn's duties to compose musical masses. It contains smaller organ obliggato, in contrast to the Kleine Organ Mass, or Missa brevis Sancti Joannis de Deo. It is known as the Gross ...
Later, composer Pérotin followed with his Alleluja, Navitatis gloriosae virginis, to be sung at the feast of the birth of Mary. Marian motets became very popular in the Middle Ages, a large collection of which is in St. Paul Cathedral in London. [8] Pope John XXII (1316–34) issued the apostolic constitution Docta SS Patrum about
Pope Pius V by Motu Proprio of 20 March 1571, published 5 April, had suppressed all existing offices of the Virgin Mary, disapproving in general all the prayers therein, and substituting a new Officium B. Virginis without those prayers and consequently without any litany. It would seem that this action on the part of the pope led the clergy of ...
Medieval manuscripts abound in abbreviations, owing in part to the abandonment of the uncial, or quasi-uncial, and the almost universal use of the cursive, hand.The medieval writer inherited a few from Christian antiquity; others he invented or adapted, in order to save time and parchment.
Fraternitas Christi Sacerdotis et Beatae Mariae Reginae [28] Oasis de Jesús Sacerdote [29] United States. Benedictines – Clear Creek, Oklahoma [30] [31] Benedictines – Sprague, Washington [32] Brothers, Slaves of the Immaculate Heart of Mary – Still River, Massachusetts [33] Canons Regular of the New Jerusalem – Charles Town, West ...
This list of compositions by Jan Dismas Zelenka was indexed in accordance with Wolfgang Reiche's thematic catalogue "Jan Dismas Zelenka: Thematisch-systematisches Verzeichnis der musikalischen Werke (ZWV)", Dresden, 1985. [1]
It was designated for the Friday after the third Sunday after Easter and had the title: Commemoratio angustiae et doloris B. Mariae V. Its object was the sorrow of Mary during the Crucifixion and Death of Christ. Before the sixteenth century this feast was limited to the dioceses of North Germany, Scandinavia, and Scotland. [6]