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  2. Artist's Studio—Look Mickey - Wikipedia

    en.wikipedia.org/wiki/Artist's_Studio—Look_Mickey

    In Artist's Studio—Look Mickey, the couch, door, wall frieze, telephone and fruit all are drawn from earlier works and serve this setting as interior decoration, while Look Mickey is almost presented undisturbed in its entirety. [10] Less notable works include the mirror and the Trompe-l'œil painting of the rear side of the canvas. [10]

  3. Mickey (Damien Hirst) - Wikipedia

    en.wikipedia.org/wiki/Mickey_(Damien_Hirst)

    Mickey is a household gloss on canvas painting by Damien Hirst executed in 2012. Hirst was invited by Disney to create an artwork inspired by Mickey Mouse and this was his response. The work was auctioned at Christie's , London, on 13 February 2014 in aid of Kids Company , a charity Hirst has long supported, fetching £902,500.

  4. Look Mickey - Wikipedia

    en.wikipedia.org/wiki/Look_Mickey

    Look Mickey (also known as Look Mickey!) is a 1961 oil on canvas painting by Roy Lichtenstein.Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting.

  5. Why this mischievous 95-year-old is messing with Mickey Mouse

    www.aol.com/why-mischievous-95-old-messing...

    She met Michael Frimkess in 1963, while on a fellowship residency at Clay Art Center in Port Chester, New York. They moved together to California the following year, married and began their ...

  6. Category:Mickey Mouse in art - Wikipedia

    en.wikipedia.org/wiki/Category:Mickey_Mouse_in_art

    Pages in category "Mickey Mouse in art" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A. Andy Mouse; L.

  7. I Can See the Whole Room...and There's Nobody in It!

    en.wikipedia.org/wiki/I_Can_See_the_Whole_Room...

    Like Look Mickey, there is reason to describe this image as a self-portrait of sorts. The subject is extending a finger through a circular opening, which is a self-reference because it is representative of Lichtenstein's technique of stenciling Ben-day dots by pressing the fluid onto the painting surface through a screen with a device not too ...