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Burlesque theatre became popular around the beginning of the Victorian era.The word "burlesque" is derived from the Italian burla, which means "ridicule or mockery". [2] [3] According to the Grove Dictionary of Music and Musicians, Victorian burlesque was "related to and in part derived from pantomime and may be considered an extension of the introductory section of pantomime with the addition ...
Burlesque on Ben-Hur, c. 1900. A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. [1] The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery. [2] [3]
Burlesque of opera or classical works was popular in Britain from the 1860s to the 1880s. Other examples at the Gaiety include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Galatea, or Pygmalion Reversed (1883), Little Jack Sheppard (1885), Miss Esmeralda (1887), Frankenstein, or The Vampire's Victim (1887), Mazeppa, Faust up to Date ...
In the early 1890s, as burlesque went out of fashion, Edwardes changed the focus of the theatre from musical burlesque to the new genre of Edwardian musical comedy. [8] Many works of literature and theatre have been based on Sheppard's life. Perhaps the most prominent theatrical work is John Gay's The Beggar's Opera (1728). Sheppard was the ...
Victorian burlesque, a genre of theatrical entertainment popular in Victorian England and New York theatre in the mid-19th century Travesty generator or parody generator , a computer program that generates nonsensical text (travesty), often based on statistics of an input text
The Forty Thieves, subtitled Striking Oil in Family Jars, is an 1869 Victorian burlesque that Lydia Thompson's company debuted at Niblo's Garden in New York City on February 1, 1869. It ran for 136 performances. [1] [2]
This type of burlesque, or "travesty", was popular in Britain during the Victorian era.Other examples include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Galatea, or Pygmalion Reversed (1883), Little Jack Sheppard (1885), Monte Cristo Jr. (1886), Miss Esmeralda (1887), Frankenstein, or The Vampire's Victim (1887), Mazeppa, Faust up ...
Faust up to Date is a musical burlesque with a libretto was written by G. R. Sims and Henry Pettitt, and a score written by Meyer Lutz (a few songs by others were interpolated into the show). Set in Nuremberg , it is a spoof of Gounod 's opera, Faust , which had first been performed in London in 1864.