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The name of Athens, connected to the name of its patron goddess Athena, originates from an earlier Pre-Greek language. [1] The origin myth explaining how Athens acquired this name through the legendary contest between Poseidon and Athena was described by Herodotus, [2] Apollodorus, [3] Ovid, Plutarch, [4] Pausanias and others.
Statue of Harmodius and Aristogeiton, Naples.Roman copy of the Athenian version by Kritios and Nesiotes (see below) Harmodius (Greek: Ἁρμόδιος, Harmódios) and Aristogeiton (Ἀριστογείτων, Aristogeíton; both died 514 BC) were two lovers in Classical Athens who became known as the Tyrannicides (τυραννόκτονοι, tyrannoktonoi) for their assassination of ...
The Erechtheion [2] (/ ɪ ˈ r ɛ k θ i ə n /, latinized as Erechtheum / ɪ ˈ r ɛ k θ i ə m, ˌ ɛ r ɪ k ˈ θ iː ə m /; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias [3] is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena.
The early Athenian tradition, followed by the 3rd century BC Parian Chronicle, made Cecrops, a mythical half-man half-serpent, the first king of Athens. [5] The dates for the following kings were conjectured centuries later, by historians of the Hellenistic era who tried to backdate events by cross-referencing earlier sources such as the Parian Chronicle.
Erechtheus (/ ɪ ˈ r ɛ k θj uː s,-θ i ə s /; Ancient Greek: Ἐρεχθεύς) in Greek mythology was a king of Athens, the founder of the polis and, in his role as god, attached to Poseidon, as "Poseidon Erechtheus". The name Erichthonius is carried by a son of Erechtheus, but Plutarch conflated the two names in the myth of the begetting ...
The Acropolis of Athens (Ancient Greek: ἡ Ἀκρόπολις τῶν Ἀθηνῶν, romanized: hē Akropolis tōn Athēnōn; Modern Greek: Ακρόπολη Αθηνών, romanized: Akrópoli Athinón) is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance ...
Three innovations must have taken place for tragedy as we know it to exist. First, somebody created a new kind of performance by combining a speaker with a chorus and putting both speaker and chorus in disguise as characters in a story from legend or history. Second, this performance was made part of the City Dionysia at Athens.
Alexander the Great's relations with Athens later strained when he returned to Babylon in 324 BC; after his death, Athens and Sparta led several states to war with Macedonia and lost. [25] This led to the Hellenistic control of Athens, with the Macedonian king appointing a local agent as political governor in Athens.