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Fanned-fret guitars have a multi-scale fingerboard because of "offset" frets; that is, frets that extend from the neck of the guitar at an angle. Ralph Novak (Novax Guitars) was the first to apply this idea to the electric guitar (1988). [2] The frets are arrayed on an angle, in contrast to the standard perpendicular arrangement of other guitars.
The steel-string acoustic guitar typically has a scale slightly shorter than the classical instrument, the most common scales ranging between short scale (24 inches (610 mm)) and long scale (25.5 inches (650 mm)). Small travel guitars and guitars specifically designed for children can have even shorter scales.
In the 1970s, English guitarist John McLaughlin played with Shakti, along with Indian violinist L. Shankar, using an acoustic guitar with a fully scalloped fretboard. He also used an electric guitar with a scalloped fretboard in studio and live performances from 1978 to 1979. McLaughlin explained that this feature increased the ease and range ...
The 330 group consists of full scale guitars with standard features. These models (numbers 330 to 345) feature 24 + 3 ⁄ 4 in (630 mm) scale necks, unbound 15 in (380 mm) wide bodies with Rickenbacker's trademark "slash" sound hole, and pearl dot fretboard inlays. The deluxe 360 model group, numbers 360 to 375.
The 24.75" scale mahogany neck joins the body at the 19th or 22nd fret. Early models had a smaller neck joint with a longer tenon. This neck design provided access above the 16th fret. Epiphone-made bolt-on neck models still use a 16th fret neck joint. [6] [note 1] The SG's set neck is shallower than the Gibson Les Paul's.
The fretboard of major-thirds tuning is segmented into four-fret intervals, which simplifies its learning and also reduces the need for shifting the left hand. See also: Interval (music) With standard tuning, and with all tunings, chord patterns can be moved twelve frets down, where the notes repeat in a higher octave.
Though using a 24-fret fingerboard, the scale length of the Red Special is a short 24" (609.6 mm); compared to the Gibson standard of 24.75" (628.65 mm) and Fender's common 25.5" (647.7 mm) scale lengths, this creates a looser feel for the strings, which is conducive to May's extensive use of string bending and his wide vibrato.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...