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The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.
The Bhimbetka rock shelters are an archaeological site in central India that spans the Paleolithic and Mesolithic periods, as well as the historic period. [1] [2] It exhibits the earliest traces of human life in India and evidence of the Stone Age starting at the site in Acheulian times.
The Ambadevi rock shelters are part of an extensive cave site, where the oldest yet known traces of human life in the central province of the Indian subcontinent were discovered. The site is located in the Satpura Range of the Gawilgarh Hills in Betul District of the Indian state of Madhya Pradesh , north of Dharul village in Amravati district ...
Cave painting is a type of rock art that includes petroglyphs, or engravings, found on the wall or ceilings of caves. Mangarbani hill forest is a Palaeolithic site with rock art as well as cave paintings. It is believed to be the largest in the Indian subcontinent and possibly the world's oldest. [11] [21] [20] [22] [23] [24]
The Ambadevi rock shelters have the oldest cave paintings in India, dating back to 25,000 years. The Bhimbetka rock shelters are dated to about 8,000 BC.
The original paintings were repainted over by someone with an intention to restore and enhance it. This effort likely happened in the second half of the 1st millennium CE. [5] The original paintings lacked a base coating such as those found in Ajanta and other caves of India. At the Jogimara cave, the murals show a white base of lime.
Impressions of hands and feet that appear to have been made by two children about 200,000 years ago may be the earliest work of human art. Ancient handprints pre-dating earliest cave paintings may ...
Similar depictions are found in the paintings of Cave 17, but this time in direct relation to the worship of the Buddha. In Cave 17, a painting of the Buddha descending from the Trayastrimsa Heaven shows he being attended by many foreigners. Many foreigners in this painting are thus shown as listeners to the Buddhist Dharma. [297]