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The concept of global cultural flows was introduced by anthropologist Arjun Appadurai in his essay "Disjuncture and difference in the global cultural economy" (1990), in which he argues that people ought to reconsider the Binary oppositions that were imposed through colonialism, such as those of ‘global’ vs. ‘local’, south vs. north, and metropolitan vs. non-metropolitan.
Arjun Appadurai FRAI (born 4 February 1949) is an Indian-American anthropologist who has been recognized as a major theorist in globalization studies. He is an elected fellow of the Royal Anthropological Institute of Great Britain and Ireland. [1]
Bei, Voulgarakis, and Nault use the FPMT to illustrate Arjun Appadurai's understanding of globalization in terms of (in Appadurai's words) "(a) ethnoscapes, (b) mediascapes, (c) technoscapes, (d) finanscapes, and (e) ideoscapes." The authors accordingly describe the FPMT as "an international network of Gelugpa dharma centers headquartered in ...
Cultural globalization is one of the three main dimensions of globalization commonly found in academic literature, with the two other being economic globalization and political globalization. [7] However, unlike economic and political globalization, cultural globalization has not been the subject of extensive research. [ 4 ]
Economic globalization is the intensification and stretching of economic interrelations around the globe. [3] [4] It encompasses such things as the emergence of a new global economic order, the internationalization of trade and finance, the changing power of transnational corporations, and the enhanced role of international economic institutions.
Seven countries, an ocean and over a thousand miles stand between them and their dreams for a future.
Sarah Song views cultures as historically shaped entities by its members, and that they lack boundaries due to globalization, thereby making them stronger than others might assume. [53] She goes on to argue against the notion of special rights as she feels cultures are mutually constructive, and are shaped by the dominant culture.
Every month, thousands of Eritreans attempt to flee repression, torture and indefinite forced conscriptions by embarking on a dangerous journey to Europe.