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Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
7. Give thanks to the Lord, for he is good; his love endures forever. –Psalm 107:1 8. You are my God, and I will give you thanks; you are my God, and I will exalt you.
[Psalm 107:22 ESV] And let them offer sacrifices of thanksgiving, and tell of his deeds in songs of joy! 3. The works and deeds of the Lord Jesus are most fully revealed in the New Testament. 4. The Psalms command new songs (Psalms 33:3, Psalms 40:3, Psalms 96:1, Psalms 98:1, Psalms 144:9, Psalms 149:1).
The Grail Psalms were already popular before the Second Vatican Council revised the liturgies of the Roman rite.Because the Council called for more liturgical use of the vernacular instead of Latin, and also for more singing and chanting (as opposed to the silent Low Mass and privately recited Divine Office, which were the predominantly celebrated forms of the Roman rite before the Council ...
Gelineau psalmody is a method of singing the Psalms that was developed in France by Catholic Jesuit priest Joseph Gelineau around 1953, with English translations appearing some ten years later. [1] Its chief distinctives are:
Particularly in long psalms, changes of chant may be used to signal thematic shifts in the words. Psalm 119, which is the longest in the psalter, is generally sung with a change of chant after every 8 of its 176 verses, corresponding to the 22 stanzas of the original Hebrew text. However, it is never sung all at once, but spread over successive ...
One of the Songs of Ascents, Psalm 122 appears in Hebrew on the walls at the entrance to the City of David, Jerusalem.. Song of Ascents is a title given to fifteen of the Psalms, 120–134 (119–133 in the Septuagint and the Vulgate), each starting with the superscription "Shir Hama'aloth" (Hebrew: שיר המעלות, romanized: šir ham-ma‘loṯ, lit.
Chichester Psalms is an extended choral composition in three movements by Leonard Bernstein for boy treble or countertenor, choir and orchestra. The text was arranged by the composer from the Book of Psalms in the original Hebrew. Part 1 uses Psalms 100 and 108, Part 2 uses 2 and 23, and Part 3 uses 131 and 133. [1]